This collection of fifteen essays examines the lives of important but relatively unknown Native Americans. The chapters explore the complexities of Indian-colonial relations from the seventeenth to the early nineteenth centuries, from Maine to the Ohio valley. The volume is interdisciplinary, drawing on the methods and insights of social history, cultural anthropology, archaeology, and the study of material culture.

Few works have directed attention toward such lesser-known figures as Shickellamy, an Oneida diplomat; the Mohawk sachem Theyanoguin; Awashunkes, a Saconett sunksquaw; or Molly Ockett, a Pigwacket doctor. These individuals operated at the often dangerous and always uncertain interstices separating their world from that of the European settlers, as they worked for the security and survival of their peoples during the first centuries of contact. Their efforts helped shape events that determined the course of history in the colonial Northeast.

The Old Priest is a book of transformations. From the cigar-smoke-and-mirrors world of casino life, to the collection’s title character morphing into a goat-man before the narrator’s eyes, to a family drama upended by a miniature dinosaur in the backyard, Anthony Wallace writes about life-changing events. The characters seek to escape their earthly boundaries through artifice and fantasy, and those boundaries can be as elegant and fragile as a martini glass or as hardscrabble as an Indian reservation. In these eight vividly detailed short stories we encounter cheating husbands, neurotic housewives, out-of-control teenagers, desperate gamblers, deluded alcoholics, and a host of others who would like a chance at something more. Some face the consequences of their actions, while others simply begin to see what they’ve been missing all along. Through wry, ironic prose—and what feels like firsthand experience—Wallace describes a comic and often misguided search for self-knowledge in the most unlikely locations—like the Emerald City, a low-rent gambling den where a cocktail waitress dressed as an X-rated Dorothy offers gamblers more than a Scotch on the rocks; or the Bastille Hotel-Casino, where a dealer dressed as an eighteenth century footman deals five-dollar blackjack to a reminiscing Holocaust survivor.  Occasionally a real demon appears, but the collection is mostly about personal demons and the possibility of exorcising them. The stories in The Old Priest have to do with time and memory, and they convincingly open out beyond ordinary daily time to reveal something else—the present moment, perhaps, but a larger, more mysterious conception of it.